"AVITOKO" HAD ORGANISED A "KAVI SAMMELAN" IN KALYAN JAIL IN 2005. HARSH KABRA HAD FEATURED THIS EFFORT FOR 'OUTLOOK'. THE SAME IS HERE FOR YOUR VIEWS.
MAKING
A DIFFERENCE
The Poet In His
Private Prison
Lifers penning and
reciting verse: that's just one way solutions to special needs can be truly
creative
http://www.outlookindia.com/article.aspx?229161
Mumbai's Kalyan jail is
an unlikely venue for a kavi sammelan. Even unlikelier is the sight of Mumbai's
noted poets like Akshay Jain and Yagya Sharma sharing the stage with poets
serving life sentences. At the sammelan, eight prisoners, including five women,
pour their hearts out in verse. Ramesh Bhoir and Praveen Bharucha rue the few
moments that wrecked their entire lives. And Janaki Iyer, who writes in
English, longs to change the unfair ways of the world.
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Their themes range from
suppression and separation to introspection and reformation.
Life behind bars hasn't
restrained their creative streak. Such creativity, according to Akshar Vishwa
Ka Tosh Aivam Kosh or Avitoko, the four-year-old organisation that conceived
the sammelan, provides a much-needed support system to individuals as well as
society. After gifting these prison poets the satisfaction of reciting their
verse in the presence of veterans, Avitoko plans to publish their work, an idea
jail authorities have welcomed. Avitoko believes in expression as a cathartic
booster and has successfully used art, theatre and literature with mainstream
and special children (like orphans or the mentally challenged), marginalised
people, women, youth, even corporates to help them understand themselves,
identify their strength, kill inhibitions and become confident. "As media
of change, they can help develop positivism and banish negativism," says
Vibha Rani, Avitoko founder-secretary and a Hindi and Maithili playwright-author.
"They aid self-actualisation and create a person within a person."
As Avitoko's
single-handed driving force, 45-year-old Vibha has turned activities like
painting and collage-making into valuable modes of expression for children and
grown-ups alike. Theatre, on the other hand, helps them hone their speaking
skills, put forth their ideas and deal with issues bothering them. Children
have overcome problems like shyness and stammering to excel in extra-curricular
activities. The youth have chosen careers that their innate talents are best
suited to. Women have enhanced their personality by getting rid of
"unnecessary guilt" they often cage up within. "Nobody likes
sermons nowadays," says Vibha. "Our participatory approach opens them
up." That's why Avitoko only facilitates while participants manage
everything from script and dialogue to props and action. The organisation
encourages talent, be it through annual playwriting competitions or exhibitions
of participants' works. Yet, many can't readily appreciate Avitoko's work,
leaving it dependent for funds and help from a handful of like-minded people.
Avitoko decided to work
with prisoners because social and legal barriers make it difficult to bring
inmates into the mainstream. There are so many talents behind those bars. Take
the case of Ramesh Owale and Rahul More, both in their thirties, serving life
sentences in the Thane and Byculla jails for over a decade. Owale recently won
a special award at a national painting competition. "His firm lines,
befitting an artist, astonished the judges," recalls Vibha. More is a
gifted Warli painter, he has taught the art to other inmates and wants to take
it to prisoners elsewhere. With Avitoko's encouragement, he is also writing
about himself.
Inmates of the Thane,
Byculla and Arthur Road jails have also staged plays. "They innovate
brilliantly," says Vibha. "Once, they made a policeman's batons out
of paper and created sounds to make them seem real." Avitoko plans to take
its activities, ranging from health camps to art workshops, to jails outside
Mumbai. Greeting cards are also a regular feature but sadly, there aren't many
takers yet for prison art, says Vibha. She's determined to do her bit to gain
these people acceptance. ###
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